{"id":2062,"date":"2016-06-08T16:37:03","date_gmt":"2016-06-08T14:37:03","guid":{"rendered":"http:\/\/bandits-mages.antrepeaux.net\/?p=2062"},"modified":"2016-06-08T16:37:03","modified_gmt":"2016-06-08T14:37:03","slug":"sounding-the-future-hong-kong","status":"publish","type":"post","link":"https:\/\/bandits-mages.antrepeaux.net\/es\/blog\/2016\/06\/08\/sounding-the-future-hong-kong\/","title":{"rendered":"Sounding the Future @ Hong Kong"},"content":{"rendered":"

Disculpa, pero esta entrada est\u00e1 disponible s\u00f3lo en Ingl\u00e9s Estadounidense<\/a>. For the sake of viewer convenience, the content is shown below in the alternative language. You may click the link to switch the active language.<\/p>Sounding the Future<\/a><\/em> by EMARE artist Gail Priest<\/strong> is being exhibited 16 to 22 May 2016 at ISEA2016 R>EVOLUTION<\/a> in Hong Kong.<\/p>\n

Sounding the Future, a<\/em>n immersive, audio-driven hypertext uses speculative narratives to consider what the future might sound like and how this may manifest as art. These possible futures are viewed through two filters: the integration of technology and biology resulting in trans- and posthuman conditions; and the exploitation of the sonic potentials of the new cities we imagine. Unavoidably, these futures are informed by the ways in which we listen now, so a third strand comprising theoretical and documentary material weaves present practice into future thinking.<\/p>\n

More about Gail Priest<\/a><\/p>\n